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Chapter 1 - THE SOUND BEFORE THE MUSIC

The bridesmaids cut Emma Walker’s wedding dress open thirty seconds before she reached the altar.

She heard the laughter before she felt the cold.

Halfway down the aisle of St. Agnes Cathedral, Emma stopped beneath a canopy of white roses. A soft rip came from behind her. Winter air slid across her back, and the bouquet shook in her hands.

“Oh, God,” someone whispered. “Look at her dress.”

Emma reached behind her. Her fingers touched the ivory corset she was never supposed to show anyone. The satin had split from her shoulder blades to her waist.

She had made the gown herself. Three months of late nights, sore fingers, and careful stitches. Now it hung open while two hundred guests stared.

At the altar, her fiancé, Nathan Whitmore, looked directly at the damage.

Emma waited for him to come to her.

He glanced at his mother in the front pew. Then he looked away.

Behind Emma, Veronica Hail covered her mouth. The gesture might have looked sympathetic if Emma hadn’t seen the smile underneath.

In the bridal room, Veronica had stepped behind her and said, “Hold still. You’ve got a loose thread.”

There had been a tiny metallic click. Emma had thought it was the clasp of Veronica’s bracelet.

A chair scraped against marble.

Dante Moretti stood up from the groom’s second pew.

Emma knew his name the way most people in New York did: from headlines, rumors, and conversations that stopped when he entered a room. Nathan had called him an investor. Nathan’s father had called him an old friend. Neither description had explained why grown men straightened their backs when Dante walked past.

He crossed the aisle without looking at the guests. When he reached Emma, his eyes stayed on her face.

“May I?” he asked, touching the collar of his black coat.

Emma nodded because speaking felt impossible.

Dante wrapped the coat around her shoulders. It was warm and heavy, long enough to cover the torn gown. He stepped back before she had to ask.

Then he faced the bridesmaids.

“Who touched her dress?”

Veronica lowered her hand. “I was helping her.”

“I didn’t ask why.”

Nathan finally came down from the altar. “Dante. This is a private matter.”

“You made it public,” Dante said.

Nathan’s mother, Patricia Whitmore, rose from her seat. “The seamstress made a mistake. There’s no reason to turn this into a scene.”

Emma stared at her. Patricia had seen the dress that morning. She had called it lovely.

Dante looked back at Emma. “What do you want to do?”

No one had asked her that since Nathan proposed.

Emma pulled the coat closed. “I want to leave.”

Nathan caught her arm. His smile was small and strained, meant for the guests. “We can fix this. Father Daniel can give us five minutes.”

“Let go,” Emma said.

His hand tightened. “Think about what you’re throwing away.”

Dante’s gaze dropped to Nathan’s fingers. Nathan released her.

Emma walked toward the side door, still clutching her bouquet. Behind her, Patricia called out, “Emma, don’t be foolish.”

Emma stopped. On the first page of the wedding program, beneath their names, was a photograph of the dress she had spent months making.

She set the bouquet on the nearest pew.

Then she walked out.

In the quiet service hallway, Dante’s phone buzzed. He read the message, and his expression changed.

“What is it?” Emma asked.

He showed her the screen.

May you like

It was a photograph from the bridal room. Veronica stood behind Emma with a pair of small silver scissors pressed into the back seam of the gown.

The message beneath it read: SHE WASN’T SUPPOSED TO GET OUT OF THE CHURCH.

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